In the face of the global ecological crisis, I yearned to reconnect with a universal essence and explore my ancestral roots. Returning to Crete, my birthplace, I sought primal images and the pure beauty of ancient geometric forms. I aimed to evoke indescribable memories and a shared melody from time immemorial. Among the stones, I sought the echo of a primal cry, as if I were a child balancing between beasts and gods.

Through photography, I created a timeless space, transcending boundaries. The cyanotype's blue hues blurred the line between humanity and inhumanity, flesh and stone. These monochromatic fragments became a shared perspective across generations, linking humanity's gaze upon this earth—a window suspended above time.

In these images, my body dissolved into a representative of our species and the myth of our origins. I embodied Adam, Minos, a Minoan toiling on arid land, Zeus gazing from Mount Ida, and Thesee standing before the Labyrinth's entrance. I was the solitary monster awaiting liberation in rocky corridors.

The resulting series of blue images captured the essence of a profound search for origins—a tribute to nature and a farewell to the deserted labyrinth, symbolic of my farewell to the land of my birth, where the world began under the earliest light.